
In 2007 Ruckstuhl launched a collection of acoustic panels on the market, which it supplemented in 2009. The success of this collection is primarily based on the following four elements: maximum acoustic absorption, acoustic effectiveness in all frequency ranges, timeless design and a high quality felt surface made from pure new wool. The field of acoustics is extremely complex, and is comprised of various disciplines. That is why Ruckstuhl worked closely with the highly regarded Akustikbüro Oldenburg acoustics office to develop Pannello. In the following, physicist Dr. Christian Nocke answers a few questions concerning room acoustics.
What, in your opinion, is the importance of room acoustics today, and what changes have you seen over the past five years? What changes do you expect over the next five years?
The importance of room acoustics has been growing for quite some time now, particularly over the past five to ten years. It is clear that the issue of noise and its negative impact have become increasingly important for the population as a whole, and I expect this trend to continue in the years to come, as room acoustics, particularly in the office, but in the private sphere as well, will be seen as an important factor for the comfort of a room. It appears that room acoustics are becoming more firmly anchored in the planning process, and thus recognised as an important factor for rooms.
How have requirements for room acoustics in modern offices changed?
From what I have seen, the requirements for room acoustics have not been subject to major changes. Overall, new forms of work and organisation have become evident in recent years that have made it necessary to adapt room acoustic requirements in some areas, such as for communication-intensive utilisations. When evaluating room acoustics, an important factor to remember for today’s construction methods is the fact that the reliance on open structures means that few sound-absorbing surfaces are utilised. As a result, extremely poor room acoustic conditions occur more frequently, and this can quickly lead to complaints.
What was the deciding factor in your decision to take responsibility for the technical development of Ruckstuhl’s Pannello? What motivated you during the development process?
At first, it was the attraction of doing something new that drove me to work with Ruckstuhl. From a purely technical acoustics standpoint, I found it somewhat surprising that a manufacturer of floor coverings was looking to enter into new fields of room design with Pannello. Another important factor for this development collaboration was the fact that not only acoustic quality, but also other aspects such as design and sustainability played an important role. I’m certain that ‘only’ developing a sound absorber would not have been a particularly attractive proposition. From an acoustic standpoint, I was driven to develop a highly effective sound absorber that would also boast numerous other properties.
In what areas do you believe that Pannello is suitable for use?
In addition to the professional office environment, I can see it being used in residential applications, as well as for highly specialised uses such as equipping studio and control rooms, be it in private recording studios or small cinemas, as these applications all benefit from highly effective sound absorbers. As a result of the very good sound absorption values, the Pannello collection delivers highly efficient sound absorption to any rooms that need it.
In your experience, what is it that sets the Pannello collection apart?
The Pannello collection is distinguished by its combination of outstanding acoustic effectiveness, exquisite design and flexible, wide-ranging scope of application. In my opinion, there are few products that are able to combine these qualities like the Pannello collection does.
What have been the most frequent sources of error regarding room acoustics in your experience? Please make a distinction between new buildings and the renovation of existing structures?
A frequent error in construction processes, regardless of whether new buildings or renovations are at issue, is the fact that the field of room acoustics is shut out of the planning process. As a result, the acoustic properties of a room are left to chance. In addition, the importance of room acoustics for the subsequent use of the room is often underestimated. If other areas, such as structure and colour, were left to chance in the same manner, many buildings would simply be unfit for use.
What is the impact of new developments, such as concrete core activation, on room acoustics?
Numerous technical construction developments, including concrete core activation and the use of glass for a large proportion of the structure, result in unfavourable room acoustic characteristics in the rooms. In addition, design aspects, such as the desire for homogenous and smooth surfaces, have yet to be given a great deal of weight among the manufacturers of acoustic products.
What, in your opinion, is the current state of the manufacturer market for effective acoustic products, and what are your expectations for the future?
From what I have seen, the market for acoustic products is currently undergoing a major transformation. Traditional acoustic products such as grid ceilings and spray plasters are also changing or disappearing from the market. The products in high demand are those that are able to perform a number of functions at once, such as heating, cooling and sound absorption, or even bulletin boards and sound absorption. Â I believe that the future will see a growing demand for cleverly designed and efficient acoustic solutions.
What do you think can be done to highlight the distinction between the topics of reverberation in rooms (room acoustics) and sound insulation of building components (building acoustics)?
In our experience these things are often seen as interchangeable.
It is true that numerous rumours and half-truths regarding the field of acoustics are quite prevalent, and the only way to deal with this is to provide a well-founded explanation of the subject so that discussions can take place on a factual basis. A room that is subject to reverberation will not be improved acoustically by upgrading the sound insulation of the walls, nor is it possible to compensate for the insufficient sound insulation of a wall by using sound absorption to regulate the reverberation in the room. The fields of room acoustics and soundproofing / building acoustics can be clearly distinguished from one another. The confusion of these two subdisciplines of acoustics can probably only be remedied through education and by repeatedly highlighting the differences between them.
What impact do deficient room acoustics have on the performance of employees in an office?
Poor room acoustic conditions in the office can sometimes have dramatic consequences. Performance is generally reduced, employee satisfaction lowered and sick days increased. Â In some circumstances, poor room acoustics are not recognised as the cause, and solutions are wrongly sought in other areas. It is therefore necessary in offices in particular to create a high level of room acoustic comfort, as this is the only way to maintain and promote performance that lives up to its potential over the long term.
What do you particularly like about working with Ruckstuhl?
I have been working with Ruckstuhl for quite a few years now, and it is a relationship that has been made special by its openness and reliability. In addition to personal contact with many employees, I particularly like the fact that there is always an interest in new ideas, something that also gives rise to products whose fascination goes beyond the field of acoustics.
The interview with Dr. Christian Nocke was conducted by M. Groth.

1 response so far ↓
1 Ron Tedwater // Nov 13, 2010 at 8:27 am
Great work, thanks for all the details…
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